I am excited to begin
production of Love Games and I am honestly eager to see what everyone will bring
to the table. Love Games, written by Heaven Carreon, is the story of two men,
who are dating the same women without their consent- aka, she's cheating on them.
Together, with the help of a sweet but spiteful best friend, they must find a
way to "get revenge" and tie loose ends in this melo-dramatic tale of
love, loss, and lingerie.
Love Games is
especially precious to me because it deals with Queer characters. The
representation of LGBTQ+ people in media and television is slim, white, and
virtually non-existant. The little representation that does exist usually
exploits the character's non-heterosexual identity, usually making them a sob
story to gain pitty points, and completely erases bisexuality(+) entirely.
Transgender people never even show up unless they're a prostitute. Sex work is
not something to be ashamed of, but it's also not an accurate catch-all for
trans people of every identity. Therefore, I have made it a constant practice
to "queer up spaces" as we call it. I am especially vocal and
intentional about it in theatre- since theatre is the art of presenting
humanity. Queer and trans people are human, so why don't we see them on stage.
Don't even get me started on Queer-baiting!
(When an author/director/etc. gives hints, and clever twists to paint a
character as possibly being queer, to satisfy queer audiences, but never
outright says they are so they can keep their heterosexual audience.) This is
especially frustrating to actual LGBTQ+ people, and even harmful to us when
delivered to heterosexual and/or cisgender audiences. That is why Heaven
decided to go all the way with her characters. Their sexuality is explicit, it
is natural, and it isn't a roadblock in their story. We're not tip-toeing
around it but we're also not getting hung up on it.
Yes, queer and trans people struggle against
cisheteronormative society in their lives and, yes, are also very often put in
danger- murdered even. Especially trans femme/women of color are more likely to
be murdered simply for existing. Yes, that is true and deserves attention and
fixing. But we also have lives around that. We have struggls that do not
pertain to our identities in the slightest. And by cornering us exclusively to
this sob-story, martyr archetype, it removes us from reality which then leads
to perpetuated violence and laws that remove our human rights. That is why
these stories are important to me. That is why, as an aspiring director, I want
to push aside a portion of the hetero-normative theatre content to make room
for intersectional stories. That is why Love Games is important to me; like a
precious child.
This is normally where
people say "rant over" to signal they are done bothering you with
their frustrations but I'm not going to say that. Because my work is far from
over. I hope you too can enjoy this journey with me.
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